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Some accept it with grace and tranquility, while others fight it until their dying breath....
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The poem was written to resemble Thomas’s childhood at his aunt’s house when he was a kid.
The poem also weaves in a lot of imagery and symbolism with its six stanzas, nine lines per stanza, and unusual meter.
and sees the human microcosm as an image of the macrocosm, and conversely.” During the almost two years between the publication of in 1936, Thomas moved back and forth between London and Wales a great deal.
In London he met influential people in the literary world, including Vernon Watkins, an older man whose sedate lifestyle contrasted markedly with Thomas’s.
He recalls the small valley in lines 2 and 8 as green and flowery.
There is also that sense of a fairy tale as he describes himself as prince and talks about how he can control the leaves and tress around him in lines 6 and 7.
In a letter to Richard Church Thomas commented on what he considered some of his own excesses: “Immature violence, rhythmic monotony, frequent muddle-headedness, and a very much overweighted imagery that leads often to incoherence.” Similarly, in a letter to Glyn Jones, he wrote: “My own obscurity is quite an unfashionable one, based, as it is, on a preconceived symbolism derived (I’m afraid all this sounds wooly and pretentious) from the cosmic significance of the human anatomy.” The reveal some of Thomas’s key themes, which he was to return to later in his career: the unity of time, the similarity between creative and destructive forces in the universe, and the correspondence of all living things.
This last theme was identified by Elder Olson in as part of the tradition of the microcosm-macrocosm: “He analogizes the anatomy of man to the structure of the universe …