Essay About Barbie Doll Poem

Essay About Barbie Doll Poem-18
Piercy uses synecdoche “to draw attention both to her use of irony and the sad fact that the young woman can only see herself in the terms of some artificial ideal.” This figure of speech is also used to present the girl as “the sum of her imperfect parts,” and “the image of the woman cutting off parts of her body points to a growing popularity among women of using cosmetic surgery to perfect their appearances” (Wart 2).The litotes “miniature GE stoves and irons / and wee lipsticks the color of cherry candy” intensifies women’s humiliation, meaninglessness, and inferiority in a patriarchal society.

Piercy uses synecdoche “to draw attention both to her use of irony and the sad fact that the young woman can only see herself in the terms of some artificial ideal.” This figure of speech is also used to present the girl as “the sum of her imperfect parts,” and “the image of the woman cutting off parts of her body points to a growing popularity among women of using cosmetic surgery to perfect their appearances” (Wart 2).The litotes “miniature GE stoves and irons / and wee lipsticks the color of cherry candy” intensifies women’s humiliation, meaninglessness, and inferiority in a patriarchal society.The first stanza describes girl’s childhood: “This girlchild was born as usual / and presented dolls that did pee-pee/ and miniature GE stoves and irons/ and wee lipsticks the color of cherry candy” (lines 1-4).

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"Her good nature wore out like a fan belt" (15-16) symbolizes this loss of self and a change in the girl's attitude.

As a result of compromising or losing her true self to the demands of society, the young girl/woman is confronted with the realization that living this "fake" existence has left her lonely, empty, and in pain.

The word “casket” that occurs in line 19 is defined as “a coffin” or “a small chest or box, as for jewels.” In this respect, artificial beauty closed in the casket may be compared with jewels in a small chest.

The final stanza presents a dead women, who is finally treated as “pretty” since she has “the undertaker’s cosmetics painted on” and “a turned up putty nose” (20-21).

The third stanza describes how conformists willingly help the girl to adjust to social standards that are of the highest value: “She was advised to play coy, / exhorted to come on hearty, / exercise, diet, smile and wheedle” (lines 12-14).

The verbs “advised” and “exhorted” imply that women are meant to please others, especially men.

In Piercy’s narrative, open-form ironic poem, the observer tells the reader how the child subconsciously perceives the dominating ideas of beauty, perfection, and a model in the form of a game with dolls, which later makes her imitate Barbie’s lifestyle and appearance and even sacrifice her life for dollish beauty and life.

Piercy renders this theme using aspects of imagery and figures of speech, which make the issue of female objectification even more acute.

Piercy revolts against a society, which does not value human natural values, such as intellect, health, dexterity, and where artificiality deserves higher praise.

Another conspicuous image is “a great big nose and fat legs” that is collapsed into the comic image of “a fat nose on thick legs” (Wart 1).

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