Critical Essay On The Tempest

Critical Essay On The Tempest-57
Prospero’s Plottings After years of writing plays of history, tragedy, grand comedy and dramatic romance, William Shakespeare emerged from his darker writing of the past into the lighter, more peaceful style of his play “The Tempest.” This was Shakespeare’s last complete play, and, just as he bid farewell to the art he had so mastered, his principal character Prospero departs from his artful magic on the island he omnisciently controls.

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The play contains music and songs that evoke the spirit of enchantment on the island.Prospero’s omnipresence during the play is one the more obvious physical signs that he is in control of all his surroundings.The right Duke of Milan, he was exiled with his daughter, Miranda, to a remote island twelve years prior to the play’s beginning by his usurping brother Antonio, only surviving with the help of the good-hearted advisor Gonzalo.In the end, all are brought before Prospero who forgives all, but reclaims his Dukedom, and releases Ariel and Caliban from his control.He renounces his magical powers and returns to Italy having learned the virtues of self-mastery from his exile.Prospero, like Shakespeare at the end of his career as a playwright, ends his time with what he has mastered, and with serenity, with the knowledge already collected over the course of the journey, continues on to a dawning future.The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone.Even in the end, Antonio doesn’t appear remorseful as Prospero confronts him, whereas Alonso is ready to face Prospero and to apologize for helping Antonio claim Milan.While all are treated mercifully, Shakespeare rewards those who show themselves to use power wisely, uniting two royal houses of power, while scorning those who abuse it.It explores many themes including magic, betrayal, revenge, and family.In act four, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language.


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