Archetypal Essays

Archetypal Essays-52
An eavesdropper in a modern art gallery may easily discover the strength and persistence of the feeling that to achieve recognizable likeness in a subject, and to make this likeness the primary thing in his picture, is a moral obligation on the painter.A good deal of the [131] freakishness of experimental movements in painting during the last half-century or so has been due to the energy of its revolt against the tyranny of the representational fallacy.(The phrase "non-representational painting" seems to me illogical, a painting being itself a representation.) The illusive painter however cannot escape from pictorial conventions, and non-objective painting is still an imitative art in Aristotle's sense, and so we may say without much fear of effective contradiction that the whole art of painting lies within a combination of pictorial "form" or structure and pictorial "content" or subject.

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Music affords a refreshing contrast to painting in its critical theory.

When perspective was discovered in painting, music might well have gone in a similar direction, but in fact the development of representational or "program" music has been severely restricted.

"Realism" connotes an emphasis on what the picture represents; stylization, whether primitive or sophisticated, connotes an emphasis on pictorial structure.

Extreme realism of the illusive or trompe l'oeil type is about as far as the painter can go in one kind of emphasis; abstract, or, more strictly, non-objective painting is about as far as he can go in the other direction.

Everyone in the Pridelands thinks that he has physically died. Luckily, Timon and Pumbaa find him and keep him alive.

The spiritual resurrection of Simba occurs when he returns to his home at Pride Rock. It seems as if he has risen from the dead to them because for such a long time they believed that he was dead.At Pride Rock, Simba returns to his previous life and faces all of his problems. An example of water foretelling a change is Simba's lie when he says that he and Nala are going to the water hole. This visit causes Simba to get a view of reality, not from his sheltered world.The symbolism of water and desert in the Lion King is very important. When Simba is found by Timon and Pumbaa in the desert, they splash him with water to bring life back into him.At the same time there are present certain elements of pictorial design: what a picture represents is organized into structural patterns and conventions which are found only in pictures.The words "content" and "form" are often employed to describe these complementary aspects of painting.Even from Classical painting we have inherited a number of depressing stories, of birds pecking painted grapes and the like, suggesting that Greek painters took their greatest pride in concocting trompe l'oeil puzzles.The development of perspective painting in the Renaissance gave a great prestige to such skills, the suggesting of three dimensions in a two-dimensional medium being essentially a trompe l'oeil device.What he has actually done is to obey an obscure but profound impulse to revolt against the conventions established in his own day, in order to rediscover convention on a deeper level.By breaking with the Barbizon school, Manet discovered a deeper affinity with Goya and Velasquez; by breaking with the impressionists, Cezanne discovered a deeper affinity with Chardin and Masaccio, The possession of originality cannot make an artist unconventional; it drives him further into convention, obeying the law of the art itself, which seeks constantly to reshape itself from its own depths, and which works through its geniuses for metamorphosis, as it works through minor talents for mutation.Although Simba never physically dies, in spirit he does die.The spiritual death of Simba is when he runs away from the Pridelands into the desert.

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